Here Are The Production Credits For Beyoncé's 2 New Singles 'TEXAS HOLD 'EM' & '16 CARRIAGES'

Beyoncé just shocked the world and dropped a pair of singles, right during the Super Bowl where she starred in a Verizon ad. She also formally announced her new album Act II, which will arrive on March 29th. The singles are called ‘TEXAS HOLD ‘EM’ and ‘1st CARRIAGES’ and are Country records. Stream them here.

View this post on Instagram
A post shared by Beyoncé (@beyonce)

Kendrick Lamar Shakes Up The Super Bowl With Bold Drake Diss And Surprise Guests

Kendrick Lamar's Super Bowl 59 halftime performance was nothing short of legendary, leaving fans buzzing with surprise cameos and bold moments that took his long-running feud with Drake to new heights. Kicking off with an unreleased song snippet and followed by “Squabble Up” from his latest album GNX, Kendrick immediately set the tone for a game-changing performance. Fans eagerly waited to see if Kendrick would play his diss track Not Like Us, especially with Drake's ongoing lawsuit against him and his label for defamation and harassment. Lamar's performance included an unexpected appearance by SZA and a quirky cameo from Serena Williams, along with Samuel L. Jackson’s comedic interruptions, all building the suspense around the Drake drama. In the middle of his performance, Kendrick turned up the heat, looking straight into the camera and directly addressing Drake with his famous lyrics, “I heard you like them young," as fans held their breath. Despite the tension, Kendrick censored himself when it came time to call Drake a "certified lover boy" and avoided saying “pedophile,” which had been widely speculated. Social media lit up with mixed reactions, with some fans mocking the performance as a "mid mashup" and others noting the intense hostility toward Drake. With the hashtag #KendrickBowl trending, it’s clear that Kendrick’s performance was a cultural moment that pushed boundaries—but has he gone too far, or is this just another chapter in hip-hop history? Only time will tell, and Drake has yet to respond.

0 seconds of 2 minutes, 37 secondsVolume 0%

00:00

02:37

Below, you can check out the production credits for both of the songs. There are a lot of people credited, many of them names people will have no trouble recognizing.

Beyoncé – ’16 CARRIAGES’ Production Credits

Producers: Beyoncé, Dave Hamelin and Ink
Composers: Atia Boggs, Beyoncé, Dave Hamelin and Raphael Saadiq
Lyricists: Atia Boggs, Beyoncé, Dave Hamelin and Raphael Saadiq
Additional Studio Producers: Raphael Saadiq and Stuart White
A&R Director: Mariel Gomerez
Assistant Engineer: Matheus Braz
Associated Performer: Beyoncé
Engineer: Andrea Roberts
Guitar: Dave Hamelin and Ink
Mastering Engineer: Colin Leonard
Mixing Engineer: Stuart White
Organ: Dave Hamelin and Gavin Williams
Piano: Dave Hamelin
Recording Engineers: Dave Hamelin and Stuart White
Steel Guitar: Justin Schipper and Robert Randolph
Synthesizer: Dave Hamelin
Trumpet: Ryan Svendsen
Vocal: Beyoncé
Vocal Producer: Beyoncé

Beyoncé – ‘TEXAS HOLD ‘EM’ Production Credits

Producers: Beyoncé, Killah B and nathan ferraro
Composers: Beyoncé, Brian Bates, Elizabeth Lowell Boland, Megan Bülow, Raphael Saadiq and nathan ferraro
Lyricists: Beyoncé, Brian Bates, Elizabeth Lowell Boland, Megan Bülow, Raphael Saadiq and nathan ferraro
Additional Studio Producers: Hit-Boy, Mariel Gomerez and Stuart White
A&R Director: Mariel Gomerez
Assistant Engineer: Matheuz Braz
Associated Performer: Beyoncé
Banjo: Rhiannon Giddens
Bass: Khirye Tyler, Raphael Saadiq and nathan ferraro
Co-producer: Raphael Saadiq
Drums: Killah B and Raphael Saadiq
Engineer: Andrea Roberts
Mastering Engineer: Colin Leonard
Mixing Engineer: Stuart White
Organ: Raphael Saadiq
Piano: Khirye Tyler, Elizabeth Lowell Boland, Raphael Saadiq and nathan ferraro
Recording Engineers: Alex Nibley, Hotae Alexander Jang and Stuart White
Synthesizer: Hit-Boy
Viola: Rhiannon Giddens
Vocal: Beyoncé
Vocal Producer: Beyoncé