Kendrick Lamar Talks Kanye's Trump Statements, Rapping Skills, Planning Family in New Interview

Kendrick Lamar is featured in the August cover story for Vanity Fair. He sat down with the publication before the sold out TDE Championship tour at Madison Square Garden in New York City and discussed his rapping skills, being inspired by Prince and Eminem, how he started rapping, connecting with the CEO, Top Dawg, whether he plans to start a family, being in touch with his roots and much more. Below are some highlights.

Kendrick Lamar Shakes Up The Super Bowl With Bold Drake Diss And Surprise Guests

Kendrick Lamar's Super Bowl 59 halftime performance was nothing short of legendary, leaving fans buzzing with surprise cameos and bold moments that took his long-running feud with Drake to new heights. Kicking off with an unreleased song snippet and followed by “Squabble Up” from his latest album GNX, Kendrick immediately set the tone for a game-changing performance. Fans eagerly waited to see if Kendrick would play his diss track Not Like Us, especially with Drake's ongoing lawsuit against him and his label for defamation and harassment. Lamar's performance included an unexpected appearance by SZA and a quirky cameo from Serena Williams, along with Samuel L. Jackson’s comedic interruptions, all building the suspense around the Drake drama. In the middle of his performance, Kendrick turned up the heat, looking straight into the camera and directly addressing Drake with his famous lyrics, “I heard you like them young," as fans held their breath. Despite the tension, Kendrick censored himself when it came time to call Drake a "certified lover boy" and avoided saying “pedophile,” which had been widely speculated. Social media lit up with mixed reactions, with some fans mocking the performance as a "mid mashup" and others noting the intense hostility toward Drake. With the hashtag #KendrickBowl trending, it’s clear that Kendrick’s performance was a cultural moment that pushed boundaries—but has he gone too far, or is this just another chapter in hip-hop history? Only time will tell, and Drake has yet to respond.

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Whether he plans to start a family:

“This is the constant question, because I’m obsessed with my craft and what I’m doing. I know what I’m chasing for my life, even though I don’t know what it is. But it’s an urge that’s in my every day. That urge to make an ultimate connection with words to man. And I don’t feel I’ve done that yet.”

Inspired by Prince:

In addition to Kendrick’s extraordinary talent as a writer, rapper, and producer, he has an ear for melody, and an ability to assume different voices on his songs—which he tells me he got from listening to Prince and the music he heard at his parents’ house parties.

Being private about personal relationship:

But as for his own personal love relationship with [Whitney] Alford, he doesn’t talk about it, he says, because “I want something that’s just for me.”

Being in touch with his roots:

“I had three or four years of success and celebrity, but I can’t get rid of the 20 years of being with my homies, and knowing what they go through. I can’t throw that away. I know a lot of people who could—I’ve seen it—like ‘Fuck you, I’ve got money now, I’m outta here, I don’t give a fuck about none of y’all.’ But that was something I couldn’t deal with. I had to sit back and analyze it and [figure out] other ways I could impact these people without physically trying to bring the whole hood inside a hotel.”

Rapping about politics and Kanye’s recent statements about Trump:

He says he doesn’t talk much about politics because “I just get too frustrated.” I ask him how he feels about Kanye West’s statements about Trump and about slavery and, after a long pause, he says, “He has his own perspective, and he’s on this whole agree to disagree thing, and I would have this conversation with him personally if I want to.

Rapping syllables:

I ask him how he delivers so many syllables and words in one line, with no wasted words and juxtapositions like “Halle Berry/Hallelujah” or a play on words like “Demo-crips and Re-blood-licans” or “I got power/poison/pain and joy inside my DNA.” “It comes from my love of hip-hop. Eminem is probably one of the best wordsmiths ever,” Kendrick says. “There’s a whole list of why, but just bending words. . . . The Marshall Mathers LP changed my life.”

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