We posted an excerpt last week from the new edition of XXL featuring a cover story on 50 Cent. Here are a few more that the mag has posted about his thoughts on the current state of the game, working with Dr. Dre, Lil Wayne and more.
On the current state of Hip-Hop:
During the photo shoot, you asked to listen to some new hip-hop artists. What do you think of the current regime in rap?
50 Cent: The whole culture, I think, is a little…confused. It’s not what I fell in love with, you know? So my job is to make a album that doesn’t have any holes in it, that is a representation of all of the elements I fell in love with. So, like, I look at artists to find what I like about them or why they’re hot or why they exist. And then you see that we’re creating momentum. We’re creating synthetic heat for new artists to generate interest and revenue. So the sales is some shit that ain’t really hot. You see what I’m saying? Like, the actual business of music is saying, “Oh, he’s hot!” and “Let’s try and do something to market it and sell it.” But there’s some shit that’s organic that’s out there that you see, like, without record-company assistance. People are gravitating to it.
How does that affect you, as a vet, to see that going on?
50 Cent: When I was in the mixtape circuit, there was a lot going on. I was able to take things that I wish I made myself and do ’em over. Now it’s not a lot of shit out there I would do over. I’m like, Nah, that ain’t even it right there. You know what I’m saying? When Black Rob had “Whoa!,” I wish that was my record. I wish “Put Your Hands Where My Eyes Could See,” by Busta Rhymes, was my record. Fuckin’ “Lean Back,” I wish that was mine. You see what I’m saying? And you know me and Fat Joe don’t get along. You know what I’m saying? But to the culture, when you have those moments… And I’m sure they’ll tell you they wish they had “In Da Club” and “P.I.M.P.”
On working with Dr. Dre:
You’ve been working with Dr. Dre on Detox. Has he worked with you yet on your material?
Dre helped me a lot on this record. I went to Los Angeles, was working out there
for a little bit. I was working on the Detox records, right. I keep saying to Dre, I’m like, “Yo, you don’t have to invent nothing. All they want is a strong version of what you gave last time.” They need a new version of that. It’s like Sade. She goes away for six years, and then she comes back with a new disc. You go, I love this shit! It reminds you of the fuckin’ shit that she gave you before she left. There’s certain artists that have that luxury. You could go away and still be interesting enough to come for people to want to hear that effort. Dre is like that. As I’m busy telling him that, I go, “Wait, maybe I’m bugging for some of the shit that I’ve been doing.” You know what I mean?
Read more here.