Kanye is on the latest cover of GQ magazine. Today, the outlet has released its cover story which includes an extensive interview with the man. In the conversation, ‘Ye talks about new music, last Summer being Drake’s, Jay Z and Beyonce missing his wedding, Yeezus‘ influence, marriage to Kim Kardashian and her popularity plus much more.
“Currently that spot is taken,” West says. “Let’s be honest—he got last summer. Yeah. He got last summer. And I’d never given it up till last summer. Now he’s thinking about taking it back. “It’s a real question for me. Do I want to?”
On Jay and Beyonce missing his wedding:
All that, I wouldn’t even speak on. It doesn’t even matter to me whatsoever, who would show up. Because the most important person to show up there, to me, was Kim. And that’s all that matters to me. I had to fight for that for seven years. But the fact that these other people showed up that are from such different worlds but have done such dynamic things—they’re all, in a way, equal to what Kim has done in TV or what I had done in music.
On new music:
What does that mean in terms of putting the new record together? Do you want the pendulum to swing back and do something more pop, like Twisted Fantasy or Graduation?
I think just my usual pattern is like that. It’s like a pendulum. The pendulum gains momentum by swinging in the other direction. Even lyrically, I think about certain lines that I say on my new single, which is called “All Day,” that usually Jay would say, but Jay’s not on there. So I say, All day, nigga, it’s Ye, nigga. Shopping for the winter, it’s just May, nigga. Ball so hard, man, this shit cray, nigga. You ain’t getting money unless you got eight figures. Right? Jay would have said that. And then eventually I would have came in with, like, whatever I come in with. But the balance of a meal is that when people walk in, they want water first. People definitely weren’t getting water first on Yeezus. I do fight with myself to say, “Keep fighting.” But also, you know, you can’t win every single fight. It’s a long war, and if you’re out there trying to, like, blow up every single building, you won’t win the war.
What about the new record? How far away is that?
I don’t know, man. I hope I can get one of these songs out in the next couple of weeks, just to have something up and running. But I think most likely September. I go back and forth. Like, should it be September or should it be October? Should it be November? When Beyoncé was working on her last album, she took a while. I was thinking it could somehow come out in June, like Yeezus, and just kill it for the summer. But then I’m like, I have to work on Adidas and be with my child.
But you have a lot of the first single already?
Yeah. This time three years ago, here at the Mercer, working on “Niggas in Paris,” at this time in early June, it was apparent it was still not finished. I had the “married at the mall” line, we had “that shit cray,” Jay had his verse… Jay finished his verse. He always finishes, and my shit is always kind of open. Like, “Okay, now I’ve got the Will Ferrell sample, so I need to say something that finishes the verse. But people have to not know what it means.” [laughs] So it’s like problem-solving to get to the point where you’re saying, “going gorillas.” It’s difficult sometimes.
But now, for the new album, one new thing could change everything. I had an idea of the way I wanted to do the album. And then I got a new song that’s so good that the album has to be balanced against it. This song is a song that can be in the club like “Don’t Like” or “Niggas in Paris.” Whereas before I was working on the album and I had these beautiful songs, they were just more songs. They weren’t saying, “Okay, tuck your whole summer in.” They were just saying, “Hey, I’m a great musician, I make these beautiful songs, and they have all this meaning, and nobody can make anything that means this much.”
Read the full story and peep the photos from the shoot here.